Public suspicion has hung like a brooding cloud over the capital’s Princes Street Gardens ever since the Curious Incident of the Trees in the Night-Time, when the National Galleries of Scotland, aided and abetted by Edinburgh Council, had 44 magnificent, mature trees felled, ostensibly to improve views from and access to the Scottish National Gallery on the Mound. Well, that was the official line. Funny how the tree clearance conveniently enabled the timeous expansion of the Christmas Market, an internment camp-style sprawl of tawdry tat and tourist-fleecing, malodorous fast food enterprises.
Meanwhile the internal ‘remodelling’ of the Scottish National Gallery required the temporary closure of the Scottish Cafe that sits below. Heart in mouth, the word ‘temporary’ always makes me anxious, lest it becomes permanent. The Scottish Cafe is one of very few independent food businesses in Edinburgh’s chain-heavy city centre. We missed it every moment it was closed. We could never afford to lose it.
So there’s a spring in our step when we walk in and find not only that it’s open again, but improved on its past reincarnation. Its ‘new look’ introduces splashes of colour- notably fabric from Timorous Beasties and Bute Fabrics- that emphatically exorcises the ghost of institutional gallery cafeterias past and present. Here’s a bright softness now, more peacefulness, most unusually a highly stroke-able velvet wall from Scottish textile designer Mairi Helena. It deadens noise throughout the restaurant, but if you’d like an especially quiet table, reserve one next to the velvet wall.
The restaurant is run by Carina and Victor Contini, hard working people who perpetually make demands on themselves, always seeking out new ways to up their game. So this glass of kombucha that I’m imbibing is made in Glasgow by the impeccable Clever Kombucha company, a special collaboration using fragrant Amalfi lemons, which the Continis import from Italy. And one of the reasons that salads taste so damn good here is that they’re dressed in the extended family’s gorgeous extra virgin olive oil from Picinisco in Lazio. Rapeseed oil might tick a more local box, but the taste sucks by comparison. And while the Continis sensibly import a few key ingredients, food miles are cut to the minimum because their core suppliers are small-scale Scottish. Bringing food production as close to home as possible, most of the vegetables they use come from their own kitchen garden. It’s this effort that I can taste in my salad of heritage tomatoes- baby, bell-shaped, plum- in shades from almost black, through red to stripy green and marbled yellow, a tumble on the plate topped with white minarets of whipped Crowdie, fresh celery leaves, chickpea crackers that are golden like chocolate Christmas coins, and feisty Bloody Mary dressing made with Edinburgh gin.
Here’s originality: Eyemouth crab, quayside fresh, lemony, sandwiched between warm French toast, a generous dollop of harissa mayonnaise alongside it. The Continis seem to be able to respect traditional while simultaneously subverting it. This is quite the most interesting ‘kedgeree’ I’ve had. Peterhead lightly smoked cod, naturally, a fistful-sized chunk that’s topped with a toasty coconut crumble, along with chopped surf clam, mussels peeping out, oozy-yolk quail’s egg atop the starchy grains that are aromatic with curry spices, yellow from turmeric, piquant with fresh red chilli.
Inverurie lamp rump, tender, rosy, is another plate oozing stylish flair: no predictable spuds but a satiny cauliflower purée, griddled pak choi, spiky Romanesco broccoli, a drop dead delectable winey gravy; its crowning grace is a dusting of pistachio dukkah enlivened by chocolate mint from the garden. We’re dazzled too by the paper-thin ribbons of courgette, strewn with raw peas, and steamed lemon slices. The healthy purity and punchy flavours of this dish sing out and make us feel healthy.
I must be enchanted because I’ve ordered the banana and nut cake, and I hate banana cakes, but a glimpse intrigued me. It’s something else, fluffy, subtle, sticky-sided, lent heft by the nuts, roofed with little domes of mouth-caressing buttercream and praline-crusty nuts. So the trees are gone; I mourn them. But the Scottish Café somewhat takes away the bad taste left by that ignominious episode in Edinburgh’s history.
The Scottish Café, The Mound, Edinburgh 0131 225 1550
Food: 10/10
Atmosphere: 9/10
Service: 9/10
Value for money: 9/10
Joanna Blythman, Guild of Food Writers Food Writer of the Year 2018
Why are you making commenting on The National only available to subscribers?
We know there are thousands of National readers who want to debate, argue and go back and forth in the comments section of our stories. We’ve got the most informed readers in Scotland, asking each other the big questions about the future of our country.
Unfortunately, though, these important debates are being spoiled by a vocal minority of trolls who aren’t really interested in the issues, try to derail the conversations, register under fake names, and post vile abuse.
So that’s why we’ve decided to make the ability to comment only available to our paying subscribers. That way, all the trolls who post abuse on our website will have to pay if they want to join the debate – and risk a permanent ban from the account that they subscribe with.
The conversation will go back to what it should be about – people who care passionately about the issues, but disagree constructively on what we should do about them. Let’s get that debate started!
Callum Baird, Editor of The National
Comments: Our rules
We want our comments to be a lively and valuable part of our community - a place where readers can debate and engage with the most important local issues. The ability to comment on our stories is a privilege, not a right, however, and that privilege may be withdrawn if it is abused or misused.
Please report any comments that break our rules.
Read the rules here