AWKWARD efforts by both the Remain and Leave campaigns to get younger voters interested in the referendum came in for a fair bit of stick yesterday

The Leave.EU campaign promised a Live Aid-style concert featuring 1990s boyband 5ive, Britain’s Got Talent host Alesha Dixon, other 1990s boyband East 17 and Nigel Farage.

BpopLive, to be held in Birmingham next month was, organisers said, going to be the biggest political rally in modern British history.

Andy Wigmore, head of communications at Leave.EU, said: “We are delighted to be endorsing this event, which we believe will be a fantastic finale to the referendum campaign.”

Unfortunately, it all started unravelling pretty soon after it was announced.

5ive’s management said the band had “no political allegiances or opinions” and that they hadn’t realised it was a political rally. “When Rich and Scott agreed to play the event they understood that it was a pop concert funded by one of the Brexit organisations and not a political rally,” 5ive’s management said.

Alesha Dixon’s manager had similar concerns.

At the time of writing, East 17 and Nigel Farage were still confirmed.

Meanwhile, Remain launched a new series of videos and adverts for the “easyjet generation”.

“The campaign talks to young people as young people, cutting jargon and cliché and replacing them with irreverence and the odd joke,” said campaign designer Scott Townsin.

The way to talk to young people, the Remain campaign decided, was to drop the letter g.

“Workin Earnin Makin Votin,” says one advert. “Chillin Meetin Tourin Votin,” says another.

Unveiled on Buzzfeed, one commenter declared: “This is embarrassing. It’s sort of like Dad Dancing at a macro-economic level.”

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