★★★☆☆

THIS amiable and perfectly enjoyable, if rather safe and unremarkable, account of how India separated from British rule comes from British-Indian director Gurinder Chadha, best known for light, crowd-pleasing comedies such as Bend It Like Beckham and Angus, Thongs and Perfect Snogging.

She takes us back to 1947, a tumultuous time in India’s history and a particularly important part of the director’s own family lineage, something which does ultimately give the film a dose of weight that’s somewhat lacking throughout the drama.

Lord Mountbatten (Hugh Bonneville), the last Viceroy of India, arrives with his wife Edwina (Gillian Anderson) tasked with handling the transfer of power from British rule to Indian independence. Would that it were so simple… This immediately causes divisions (literal and otherwise) between the Hindu, Sikh and Muslim population which, as history tells us, caused the largest mass migration in history with 14 million people displaced and a million dead.

The somewhat simplified drama brings us into the world via a Downton Abby-esque portrayal of the difference between those in power with wealth – Bonneville and Anderson charm with authentically stiff-upper-lip portrayals of the affluent couple – and those who serve at the behest of decisions made half a world away under British rule.

But that’s never something that’s delved into that deeply; you can feel the struggle in the script to handle the weight of all the themes and real world crises born out of Partition suddenly thrusted upon a complex nation. While it breezes along nicely and is never less than watchable, you feel like there’s something deeper for which the film just isn’t equipped to dig.

Taken on the level for which it largely aims, Viceroy’s House works as a charming and broadly told history lesson that gently invites interest in the subject – a veritable Sunday afternoon, tea and biscuits sort of picture. But it’s the knowledge that this really did happen a mere few generations ago, rather than the way it’s cinematically portrayed, that ultimately does all the heavy lifting.